Three in the Dead Tree
Three cormorants in a dead tree. A natural-history watercolour study.
How this was made
This piece began with a photograph and a written instruction. Both are kept, so the record is complete rather than flattering.
THE PROMPT AND THE SETTINGS
PROMPT
POSITIVE: Natural-history watercolour and gouache study of three great cormorants (Phalacrocorax carbo) roosting in the bare forked branches of a dead tree, seen from slightly below. The uppermost bird highest on a thin terminal fork, body in left profile, long neck drawn back into an S and the bill held level. The middle bird lower and to the right on a horizontal limb, seen from behind with wings folded tight and head turned to the right in profile. The lowest bird at the left on a rising branch, hunched with the head drawn down into the shoulders and the tail hanging straight below. Painted on unpainted white paper ground in the scientific bird-plate idiom: many thin transparent glazes, no black outlines, form built entirely from tonal value and controlled edges, individual feather barbs picked out with hairline dry-brush strokes. Plumage: blackish-brown ground painted as warm neutral tint over an underwash of bronze and bottle-green, so a faint oily sheen rises through the darkness rather than sitting on it — never a flat opaque black. The mantle and wing coverts drawn as neat overlapping scale-like rows, each feather a bronze-brown centre with a crisp darker outline, giving the characteristic fish-scale patterning across the back and folded wing. Breast and belly darker and smoother. Long stiff tail feathers separated and drawn with reserved white shafts. Heads: long slender necks, small heads, and heavy hook-tipped bills — the bill pale ochre-yellow to warm horn with a darker ridge and a fine hook at the tip, the bare skin at its base a stronger chrome-yellow patch. A little pale feathering at the chin and throat. Small dark eye with a single reserved white catchlight. Feet: large dark webbed feet with all four toes joined by webbing, gripping the branches, drawn with visible scale texture. Perch: a bare dead tree, silver-grey and weathered ochre, rising from the lower right and dividing into angular forked limbs and short broken stubs, bark stripped, grain and split ends drawn in fine directional strokes, a few patches of pale lichen. Painted with the same precision as the birds. The limbs thin and fade out on bare paper before reaching the edges. Palette: blackish neutral tint, bronze, bottle green, warm brown, ochre-yellow, chrome yellow, silver-grey, ivory-white paper. Light: warm and low, from the left. Ground: plain white cotton-rag watercolour paper, visible cold-press tooth, no sky, no clouds, no background wash, no vignette, no frame, no cast shadow. Museum-quality ornithological plate finish, archival, hand-painted, fine art print quality. No text, no signature, no species label, no watermark, no photographic rendering, no digital airbrush gradients, no heavy black ink outlines. NEGATIVE: (none)
SETTINGS
engine: envato-imagegen model: - mode: - aspect: 2:3 resolution: 2K count: 1 autoEnhancePrompt: - quality: - outputFormat: - source-id: envato-prompt-cormorants-dead-tree-natural-history-watercolour generated: 2026-08-15
NOTE
source prompt envato-prompt-cormorants-dead-tree-natural-history-watercolour; render 4d5dbcb5-e0ee-4761-ab43-c29528d10d57-2026-08-15.png
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