Wellington as a city sold sight unseen from a London office, flooded out of its first site, then shoved a metre skyward by an earthquake that drained the lagoon they meant to turn into a lake. Two voices trade the whole city at speed over deep sub bass and horns, Karori to Petone, Cuba Street to the south coast — sung completely straight, every joke on the record.
You Cant Beat It On A Good Day
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Style
Fast roots-dub soul at 148 BPM, deep sub bass and heavy live kit with off-beat guitar chops, warm Rhodes and clavinet, and a tenor-sax, trumpet and trombone horn section answering the vocal; male baritone and female alto leads trade whole sections in deadpan New Zealand-accented delivery, locking into close harmony on the chorus.