Cairo as the city that packs six thousand years into one unbroken street from the Nile to the desert — feluccas and a genteel Zamalek balcony, downtown's peeling Belle Époque, the minarets of Khan el-Khalili, a shaabi ahwa of backgammon and shisha, the Coptic quarter and the recyclers' cliff, a microbus jam past the City of the Dead — named the Conqueror, called Mother of the World, and always, gloriously, running late.
Umm El Dunya Running Late
Style
Fast Egyptian shaabi and mahraganat rock fusion at roughly 140 BPM, built on baladi darbuka, dohola, riq and sagat percussion with mizmar, accordion, oud and distorted guitar, carried by a nasal, guttural-accented female shaabi wedding-singer and a raspy, swaggering male voice trading verses in thick Masri Arabic-English.