ossory
← ALL WORK
PORTRAIT COMPARISON - UMBRELLA

Unfinished at the Edges

The same figure drawn in cobalt outline over flat washy colour, the street reduced to a few sketchy strokes on bare canvas.

How this was made

This piece began with a photograph and a written instruction. Both are kept, so the record is complete rather than flattering.

THE PROMPT AND THE SETTINGS

PROMPT

POSITIVE:
Repaint this as an Alice Neel oil painting, c. 1975. A full-length figure of a young adult woman, fully clothed in a long tan coat over dark trousers, holding a clear umbrella; non-sexual, no nudity. Fast direct linear handling: strong cobalt-blue and ultramarine contour outlines drawn around the coat, shoulders, face, hands and umbrella, with thin flat washy colour brushed loosely inside them. The coat blocked in as a few flat tan and ochre shapes with visible brushmarks; skin in pale peach, cream and lilac with green-grey shadow notes. Background reduced to largely bare white primed canvas with only a few sketchy blue and grey strokes suggesting the arcade and the wet ground, deliberately unfinished at the edges and corners. Slightly enlarged searching eyes, candid unguarded expression, awkward honest posture. Spare, psychologically exposing, wet-looking paint.

NEGATIVE:
(none)

SETTINGS

engine: openart
model: gpt-image-2
mode: image2image
aspect: 2:3
resolution: 1344x2016
count: 1
autoEnhancePrompt: false
quality: -
outputFormat: png
source-id: 0g5XRanFS90FLax1s3Dw
generated: 2026-08-06

NOTE

image2image from OpenArt history 0g5XRanFS90FLax1s3Dw

MORE IN PORTRAIT COMPARISON - UMBRELLA

The same figure isolated in a flat ochre field inside a thin white space-frame, the umbrella flattened to a hovering dome.
Caged in Ochre Distorted figure, Bacon manner
The same figure reduced to spiky faceted shapes in broken ink line, the coat and umbrella angular against untouched paper.
Spiky Coat, Bare Paper Expressionist figure drawing, Schiele manner
The same figure moved indoors to a bare studio wall, the heavy wool coat painted for its sag and bulk in ridged impasto.
The Weight of Wool Impasto studio portrait, Freud manner
A woman walking toward the viewer under a clear umbrella, the wet pavement laid in as broad reflective passages of pearl grey and cool blue.
Wet Pavement, One Sweep Society portrait oil, Sargent manner