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PORTRAIT COMPARISON - THREE-QUARTER

Blue Outline

The same sitter drawn in cobalt contour with thin washy colour brushed loosely inside it, the canvas left bare and unfinished at the corners.

How this was made

This piece began with a photograph and a written instruction. Both are kept, so the record is complete rather than flattering.

THE PROMPT AND THE SETTINGS

PROMPT

POSITIVE:
Repaint this photograph as an Alice Neel oil portrait, c. 1975. Three-quarter-length portrait of a young adult woman, fully clothed in a dark brown sleeveless top and pale blue trousers, one hand on her hip; non-sexual, no nudity, modest framing, plain standing sitter. Fast direct linear handling: strong cobalt-blue and ultramarine contour outlines drawn around the face, jaw, neck, shoulders, arms and torso, with thin flat washy colour brushed loosely inside them. Skin in warm tan, peach and lilac with green-grey shadow notes, deliberately uneven. The brown top and pale trousers blocked in as a few flat shapes with visible brushmarks. Dark hair as flat brown-black shapes. Background left largely as bare white primed canvas with only a few sketchy blue and green strokes, unfinished at the edges and corners. Slightly enlarged searching eyes, candid unguarded expression. Psychologically exposing rather than flattering, spare, wet-looking paint.

NEGATIVE:
(none)

SETTINGS

engine: openart
model: gpt-image-2
mode: image2image
aspect: 2:3
resolution: 1344x2016
count: 1
autoEnhancePrompt: false
quality: -
outputFormat: png
source-id: d8xnurV4nAY5Tvf16u8B
generated: 2026-08-06

NOTE

image2image from OpenArt history d8xnurV4nAY5Tvf16u8B

MORE IN PORTRAIT COMPARISON - THREE-QUARTER

A young woman in a dark bodice, caught in warm dusk light with confident wet-into-wet strokes placed once and left alone.
Bravura Society portrait oil, Sargent manner
The same sitter reduced to nervous broken ink line and patchy gouache, mannered and elongated on bare cream paper.
Broken Contour Expressionist figure drawing, Schiele manner
The same sitter under cold north-facing studio light, her flesh built in thick Cremnitz white impasto with unsparing attention to the bone beneath.
Forensic Impasto studio portrait, Freud manner
The same face smeared and dragged out of register against a flat green-ochre field, one eye left disconcertingly sharp.
Slipped Out of Register Distorted portrait, Bacon manner